Martin Seeds Artist Photographer

Masks, Unique silver gelatin prints. 25.4 x 20.3 cm /10 x 8 inch.

Masks, 2018 Unique silver gelatin prints. 25.4 x 20.3 cm /10 x 8 inch.

Masks, site specific installation of 196 unique silver gelatin prints,
581 x 181 cms, each print 25.4x20.3 cm.
Installation at Seen Fifteen Gallery London, 2019

Masks, 2018 Unique silver gelatin prints. 25.4 x 20.3 cm /10 x 8 inch.

Masks, 2018 Unique silver gelatin prints. 25.4 x 20.3 cm /10 x 8 inch.
Installation at Niagara Falls Projects during Brighton Photo Fringe, 2018

Masks, 2018 Unique silver gelatin prints. 25.4 x 20.3 cm /10 x 8 inch.

The uncertainties brought on by BREXIT, the failure of the Northern Ireland Assembly, and the challenges to the Good Friday Agreement have left a dangerous space in Northern Ireland where dissident terrorist groups find a voice and gain influence. In an effort to generate community support and undermine local police, dissident terrorists conduct violent attacks (shootings, beatings and intimidation) against people in their own communities. Many of these dissident groups take part in criminal activities for their own gain.

Between 2014-2018 there has been a 60% surge in paramilitary style ‘punishment’ shootings and beatings. Becoming commonplace in the province are ‘punishments by appointment’. In these situations a family member, or close friend of the ‘offender’, deliver them to a predefined location where their punishment is dealt out by a group of masked men. The severity of the punishment will depend upon the nature of the ‘crime’ – anti-social behavior, drug dealing, burglary. Commonly, handguns are discharged at the back of knees, elbows, ankles and palms of hands.

As a response to the rise in dissident terrorist activity I have been developing bodies of work using the motif of the three-hole balaclava ski mask - a symbol of terrorism in the province. The first of those bodies of works is Masks, an on-going series of unique silver gelatin contact prints. Made by placing the screen of an iPad, displaying an appropriated image, directly onto traditional darkroom paper, the resulting soft, yet disturbing images allude to the troubles of the past and stir ominous thoughts about the alarming escalation of these violent attacks.