Romper Room. Site specific installation at Brighton Centre for Contemporary Art: Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting. Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962.
Romper Room. Site specific installation at Brighton Centre for Contemporary Art: Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting. Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962.
Romper Room. Site specific installation at Brighton Centre for Contemporary Art: Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting. Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962.
Romper Room. Site specific installation at Brighton Centre for Contemporary Art: Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting. Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962.
Romper Room. Site specific installation at Brighton Centre for Contemporary Art: Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting. Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962.
Romper Room. Site specific installation at Brighton Centre for Contemporary Art: Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting. Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962.
Romper Room. Site specific installation at Brighton Centre for Contemporary Art: Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting. Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962.
No Country For Young Men, 2021
Site specific installation at Seen Fifteen Gallery, London
10 archival pigment prints, 148x110cm
No Country For Young Men, 2021
Site specific installation at Seen Fifteen Gallery, London
10 archival pigment prints, 148x110cm
No Country For Young Men, 2021
Site specific installation at Seen Fifteen Gallery, London
10 archival pigment prints, 148x110cm
from left: Disagreement iii. iv. & v. from the series Disagreements, archival pigment prints.
Masks, site specific installation of 196 unique silver gelatin prints, 581 x 181 cms,
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
Disagreement i. from the series Disagreements, 2018
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
Masks, site specific installation of 196 unique silver gelatin prints, 581 x 181 cms,
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
15 Masks, framed for the Incite Project collection
from left: Disagreement ii - v. from the series Disagreements, archival pigment prints in various sizes
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
from left: Disagreement iii - v. from the series Disagreements, 2018
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
Masks, 2018. Unique silver gelatin prints, 25.4x20.3 cm / 10 x 8 inch
Opened Ground i, 2018. Altered Vintage Map: County Armagh, Sheet 20-2. 111.5x73.5cm
Site specific installation Niagara Falls Projects, Brighton, UK Oct 2018
Opened Ground i, 2018.
Altered Vintage Maps: County Armagh, Sheet 20-2. 111.5x73.5cm & County Londonderry, Sheet 7-8. 111.5x73.5cm
Site specific installation, Niagara Falls Projects, Brighton, UK, 2018
Masks, 2018. Unique silver gelatin prints, 25.4x20.3 cm /10x8 inch.
Niagara Falls Projects, Brighton, UK. Oct 2018
Masks, 2018. Unique silver gelatin prints. 25.4x20.3 cm / 10x8 inch.
Niagara Falls Projects, Brighton, UK. Oct 2018
Masks, 2018. Unique silver gelatin prints. 25.4x20.3 cm / 10x8 inch.
Niagara Falls Projects, Brighton, UK. Oct 2018
Disagreements, 2018. Wood, Photographic print on billboard paper, 141x116cm.
Site specific installation Niagara Falls Projects, Brighton, UK Oct 2018
Site specific installation Niagara Falls Projects, Brighton, UK Oct 2018
Masks, 2018. Unique silver gelatin prints. 25.4x20.3 cm / 10x8 inch.
Field/s ONE at Sluice HQ London, UK. Nov 2018
Masks, 2018. Unique silver gelatin prints. 25.4x20.3 cm / 10x8 inch.
Field/s ONE at Sluice HQ London, UK. Nov 2018
Masks, 2018. Unique silver gelatin prints. 25.4x20.3 cm / 10x8 inch.
Field/s ONE at Sluice HQ London, UK. Nov 2018
Assembly v. 101x76 cms, c-type in red artist frame.
Assembly vi. 40.6x30 cms and 55.6x40.6 cms. archival pigment prints
Assembly iv grid of 36 contact prints of plant fragments. 7.6x5 cms on 30 x 24 cms paper, silver gelatin fibre based hand prints
Installation at Centre Culturel Irlandais, Paris 2017
Assembly v. 101x76 cms, c-type in matching red artist frame.
Assembly vi. 40.6 x30 cms, archival pigment prints.
Installation at Centre Culturel Irlandais, Paris, France 2017
Assembly vi. 40.6x30 cms, archival pigment prints.
Installation at Centre Culturel Irlandais, Paris 2017
Assembly v. 101x76 cms, c-type in matching red artist frame.
Assembly vi. 40.6 x30 cms, archival pigment prints.
Installation at Centre Culturel Irlandais, Paris, France 2017
Assembly vi. 55.6x40.6 cms. archival pigment prints
Assembly iv grid of 36 contact prints of plant fragments. 7.6x5 cms on 30 x 24 cms paper, silver gelatin fibre based hand prints
Installation at Centre Culturel Irlandais, Paris 2017
Assembly iv grid of 36 contact prints of plant fragments. 7.6x5 cms on 30 x 24 cms paper, silver gelatin fibre based hand prints
Installation at Centre Culturel Irlandais, Paris 2017
Assembly vi. 55.6x40.6 cms, archival pigment prints
Installation at Centre Culturel Irlandais, Paris 2017
Assembly iv. 36 contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Site specific installation at Regency Town House, Brighton UK, 2016
Assembly iv. 36 contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Site specific installation at Regency Town House, Brighton UK, 2016
Assembly iv. 36 contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Site specific installation at Regency Town House, Brighton UK, 2016
Assembly iv. Contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Site specific installation at Regency Town House, Brighton UK, 2016
Assembly iv. Contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Site specific installation at Regency Town House, Brighton UK, 2016
Assembly iv. Contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Site specific installation at Regency Town House, Brighton UK, 2016
Assembly parts v, iv, and iii.
Installation at University of Brighton Gallery, Brighton, UK 2016
Assembly iv. 36 contact prints of plant fragments from the Stormont Estate
7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Installation at University of Brighton Gallery, Brighton, UK 2016
Assembly parts iv, iii and vi
Installation at University of Brighton Gallery, Brighton, UK 2016
Assembly iii. Fragments of fossilized material in the Portland stone façade of the Parliament building.
101 x76cms, archival pigment print in white artist frame.
Installation at University of Brighton Gallery, Brighton, UK 2016
Assembly vi. 55.6x40.6 cms and 40.6x30 cms, archival pigment prints
Installation at University of Brighton Gallery, Brighton, UK 2016
Assembly vi. 55.6x40.6 cms, archival pigment prints
Installation at University of Brighton Gallery, Brighton, UK 2016
Assembly vi. 55.6x40.6 cms, archival pigment prints
Installation at University of Brighton Gallery, Brighton, UK 2016.