No Country For Young Men, Archival pigment prints, 148 x 110cm, 2021
Installation at Seen Fifteen Gallery, London, UK
Surface Tensions, silver gelatin prints fragments, aluminium panel, mental frame, 52.5 x 42 cm, 25.4 x 20 cm, 81 x 61 cm, 2023 - 2024
No Country For Young Men, archival pigment print, framed, 25.4 x 20 cm, 2020
Found guilty, bitumen paint, pillow feathers, aluminium panel, 50.5 x 41 cm, 2022
Stranger than Fiction, Phoenix Art Space, Brighton, UK, 2024
Le Jardin, 2024
Found stone cross, dyed handkerchiefs, silver gelatine print of a ski mask in black artists frame
dimensions variable, site specific installation.
Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
Romper Room, 2024
Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting. Music 'Welcome to my world' performed by Jim Reeves in 1962 and written by Ray Winkler and John Hathcock
Brighton Centre for Contemporary Art, Brighton, UK
Masks, 196 unique silver gelatin prints, 581 x 181cms. Each print 25.4 x 20.3cm, 2019
Violence Religion Injustice Death, Seen Fifteen Gallery, London, UK
Disagreement ii, iii, iv, v, framed archival pigment prints mounted on aluminium, 81x66cm and 102x81cm, 2019
Violence Religion Injustice Death, Seen Fifteen Gallery, London.
Opened Ground i, Altered Vintage Maps of: County Armagh, Sheet 20-2, 111.5 x 73.5cm & County Londonderry, Sheet 7-8. 111.5 x 73.5cm, 2018
Niagara Falls Projects, Brighton, UK
Assembly iv., 36 silver gelatin contact prints, paper: 30.5 x 24cm, image: 7.6 x 5cm, 2016
Site specific installation at Regency Town House, Brighton UK
from left:
Assembly v, framed C-type, mounted on aluminium, 102 x 81cm, 2016
Assembly iv, 36 silver gelatin prints, paper: 30.5 x 24cm paper. image: 7.6 x 5cm, 2016
Assembly iii, framed archival pigment print mounted on aluminium, 102 x 81cm, 2016