Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
A Sudden Vanishing, Erased and torn archival pigment print, artist frame, 160 x 120cm, 2024
Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
A Sudden Vanishing, Erased and torn archival pigment print, artist frame, 160 x 120cm, 2024
Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
A Sudden Vanishing,
Erased and torn archival pigment print, artist frame,
160 x 120cm,
2024
Surface Tensions v,
silver gelatine prints on aluminium panel,
25.4 x 20.3 cm,
2024
Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
Surface Tensions v,
silver gelatine prints on aluminium panel,
25.4 x 20.3cm,
2024
Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
Surface Tensions v,
silver gelatine prints on aluminium panel,
25.4 x 20.3cm,
2024
Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
Le Jardin
Found stone cross, dyed handkerchiefs, silver gelatine print of a ski mask in black artists frame
dimensions variable, site specific
2024
Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
Le Jardin
Found stone cross, dyed handkerchiefs, silver gelatine print of a ski mask in black artists frame
dimensions variable, site specific
2024
Nervous Lines, Koop Projects, Brighton, UK, 2024
Martin Seeds and Shumba Felix
Le Jardin,
Found stone cross, dyed handkerchiefs, silver gelatine print of a ski mask in black artists frame
dimensions variable, site specific
2024
Romper Room. Brighton Centre for Contemporary Art, 2023
Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962
Dimensions variable.
Romper Room. Brighton Centre for Contemporary Art, 2023
Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962
Dimensions variable.
Romper Room. Brighton Centre for Contemporary Art, 2023
Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962
Dimensions variable.
Romper Room. Brighton Centre for Contemporary Art, 2023
Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962
Dimensions variable.
Romper Room. Brighton Centre for Contemporary Art, 2023
Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962
Dimensions variable.
Romper Room. Brighton Centre for Contemporary Art, 2023
Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962
Dimensions variable.
Romper Room. Brighton Centre for Contemporary Art, 2023
Bitumen paint, pillow feathers, recycled wood table and chairs, plastic sheeting Music 'Welcome to my world' written by Ray Winkler and John Hathcock and performed by Jim Reeves 1962
Dimensions variable.
No Country For Young Men, Seen Fifteen Gallery, London. 2021
10 archival pigment prints, panelling nails
148 x 110cm
No Country For Young Men, Seen Fifteen Gallery, London. 2021
10 archival pigment prints, panelling nails
148x110cm
No Country For Young Men, Seen Fifteen Gallery, London. 2021
10 archival pigment prints, panelling nails
148x110cm
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
Disagreement iii. iv. & v. from the series Disagreements
archival pigment prints
2018-2019
Masks installation
196 unique silver gelatine prints, panelling nails
581 x 181 cm
2019
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
Disagreement i.
Archival pigment print
101 x 81.2cm
2018
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
Masks installation, 196 unique silver gelatine prints, panelling nails
581 x 181cm,
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
Disagreement iv, Disagreement ii, Disagreement iii, Disagreement v
Archival pigment prints
2018-2019
Violence Religion Injustice Death, Seen Fifteen Gallery London, 2019
Disagreement ii, Disagreement iii, Disagreement v
Archival pigment prints
2018-2019
Niagara Falls Projects, Brighton, UK, 2018
Masks,
Unique silver gelatine prints,
25.4x20.3 cm / 10 x 8 inch,
2018
Opened Ground i,
Altered Vintage Map: County Armagh, Sheet 20-2.
111.5x73.5cm
2018
Niagara Falls Projects, Brighton, UK, 2018
Altered Vintage Map of County Armagh, Sheet 20-2
111.5 x 73.5cm
2018
Altered Vintage Map of County Londonderry, Sheet 7-8.
111.5 x 73.5cm
2018
Niagara Falls Projects, Brighton, UK, 2018
Masks
Unique silver gelatine prints,
25.4x20.3 cm / 10 x 8 inch,
2018
Niagara Falls Projects, Brighton, UK, 2018
Masks
Unique silver gelatine prints
25.4x20.3 cm / 10 x 8 inch
2018
Niagara Falls Projects, Brighton, UK, 2018
Disagreements outdoor installation
Wood, Photographic print on billboard paper,
141x116cm
2018
Disagreements outdoor installation
Wood, Photographic print on billboard paper,
141x116cm
2018
Field/s ONE at Sluice HQ London, UK, 2018
Masks
Unique silver gelatine prints
25.4x20.3 cm / 10x8 inch
2018
Field/s ONE at Sluice HQ London, UK, 2018
Masks
Unique silver gelatine prints
25.4x20.3 cm / 10x8 inch
2018
Field/s ONE at Sluice HQ London, UK, 2018
Masks
Unique silver gelatine prints
25.4x20.3 cm / 10x8 inch
2018
Seen Fifteen Gallery at Centre Culturel Irlandais, Paris, France, 2017
Assembly v. 101 x 76cm, c-type in red artist frame.
Assembly vi. 40.6 x 30cm and 55.6 x 40.6cm. archival pigment prints
Assembly iv grid of 36 contact prints of plant fragments. 7.6 x 5cm on 30 x 24cm paper, silver gelatine fibre based hand prints
Seen Fifteen Gallery at Centre Culturel Irlandais, Paris, France, 2017
Assembly v. 101 x 76 cm, c-type in matching red artist frame.
Assembly vi. 40.6 x 30 cm, archival pigment prints.
Seen Fifteen Gallery at Centre Culturel Irlandais, Paris, France, 2017
Assembly vi. 40.6 x 30 cm, archival pigment prints.
Seen Fifteen Gallery at Centre Culturel Irlandais, Paris, France, 2017
Assembly v. 101x76 cms, c-type in matching red artist frame.
Assembly vi. 40.6 x30 cms, archival pigment prints.
Seen Fifteen Gallery at Centre Culturel Irlandais, Paris, France, 2017
Assembly vi, 55.6 x 40.6cm, archival pigment prints
Assembly iv, 36 contact prints of plant fragments. 7.6x5 cms on 30 x 24 cms paper, silver gelatin fibre based hand prints
Seen Fifteen Gallery at Centre Culturel Irlandais, Paris, France, 2017
Assembly iv grid of 36 contact prints of plant fragments. 7.6 x 5cm on 30 x 24cm paper, silver gelatin fibre based hand prints
Seen Fifteen Gallery at Centre Culturel Irlandais, Paris 2017
Assembly vi. 55.6 x 40.6cm, archival pigment prints
Seen Fifteen Gallery at Centre Culturel Irlandais, Paris 2017
Assembly iv. 36 contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Brighton Photo Fringe, Regency Town House, Brighton UK, 2016
Assembly iv. 36 contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Brighton Photo Fringe, Regency Town House, Brighton UK, 2016
Assembly iv. 36 contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Brighton Photo Fringe, Regency Town House, Brighton UK, 2016
Assembly iv. Contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Brighton Photo Fringe, Regency Town House, Brighton UK, 2016
Assembly iv. Contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Brighton Photo Fringe, Regency Town House, Brighton UK, 2016
Assembly iv. Contact prints of plant fragments from the Stormont Estate. 7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
Brighton Photo Fringe, Regency Town House, Brighton UK, 2016
Assembly parts v, iv, and iii.
University of Brighton Gallery, Brighton, UK 2016
Assembly iv. 36 contact prints of plant fragments from the Stormont Estate
7.6x5 cms on 30 x 24 cms silver gelatin fibre paper
University of Brighton Gallery, Brighton, UK 2016
Assembly parts iv, iii and vi
University of Brighton Gallery, Brighton, UK 2016
Assembly iii. Fragments of fossilized material in the Portland stone façade of the Parliament building.
101 x76cms, archival pigment print in white artist frame.
University of Brighton Gallery, Brighton, UK 2016
Assembly vi. 55.6x40.6 cms and 40.6x30 cms, archival pigment prints
University of Brighton Gallery, Brighton, UK 2016